bill monroe bluegrass breakdown

In 1949, after signing with Decca Records, Monroe entered what has been called the "golden age" of his career[8] with what many consider the classic "high lonesome" version of the Blue Grass Boys, featuring the lead vocals and rhythm guitar of Jimmy Martin, the banjo of Rudy Lyle (replacing Don Reno), and fiddlers such as Merle "Red" Taylor, Charlie Cline, Bobby Hicks, William Hicks and Vassar Clements. Monroe's compositions during his later period were largely instrumentals, including "Jerusalem Ridge", "Old Dangerfield" (originally spelled Daingerfield after the town in East Texas),[12] and "My Last Days on Earth"; he settled into a new role as a musical patriarch who continued to influence younger generations of musicians. Bill had wanted William Hardin to become one of the original members of his Blue Grass Boys, however he had to decline. Monroe's performing career spanned 60 years as a singer, instrumentalist, … On April 7, 1990, Monroe performed for Farm Aid IV in Indianapolis, Indiana along with Willie Nelson, John Mellencamp, Neil Young and with many other artists. "[2] Also significant in Monroe's musical life was Arnold Shultz, an influential fiddler and guitarist who introduced Monroe to the blues.[3][4]. He recalled that his brothers insisted he should remove four of the mandolin's eight strings so he would not play too loudly. These included fiddle and bagpipe sounds imported from the British Isles, African-American blues and holiness gospel, American Great Awakening … Monroe's performing career spanned 69 years as a singer, instrumentalist, composer and bandleader. Bill Monroe & The Bluegrass Boys - Bluegrass Breakdown - YouTube While still a mainstay on the Grand Ole Opry, Monroe found diminishing success on the singles charts, and struggled to keep his band together in the face of declining demand for live performances. Skaggs was only six years old, in 1960, when he first got to perform on stage with Monroe and his band at the high school in Martha, Kentucky. It took him almost four months to recover and resume touring. Bluegrass festivals became common, with fans often traveling long distances to see a number of different acts over several days of performances. For other people named Bill Monroe, see, Monroe (left) and his brother Charlie in 1936, "Original Bluegrass Band" and Monroe's heyday as a star, Rosenberg, Neil V., Wolfe, Charles K. (1989) "Bluegrass, Bill Monroe", Bear Family Records Publication, "Stoney Lonesome Fiddle Book", by Stacy Phillips, Learn how and when to remove this template message, International Bluegrass Music Hall of Honor, "Bill Monroe: Celebrating The Father Of Bluegrass At 100", https://gardenandgun.com/articles/jerry-garcias-bluegrass-roots/, "Kentucky Troubadour: A biography of Bill Monroe and the bluegrass music he invented", "Brown County Convention & Visitors Bureau Web site, 2018.08.28", "Here Are Hundreds More Artists Whose Tapes Were Destroyed in the UMG Fire", Bill Monroe: Celebrating The Father Of Bluegrass At 100, International Bluegrass Music Hall of Honor profile, Nashville Songwriters Hall of Fame profile, Recording of "Wayfaring Stranger" from the 1993 Florida Folk Festival (available for public use from the State Archives of Florida), Bill Monroe: Father of Bluegrass Music (documentary video), "Bill Monroe in Indiana: From Lake to Brown County, Oil to Bluegrass,", Discography of American Historical Recordings, https://en.wikipedia.org/w/index.php?title=Bill_Monroe&oldid=999660021, Grammy Lifetime Achievement Award winners, United States National Medal of Arts recipients, Articles needing additional references from February 2020, All articles needing additional references, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. A 1989 live album celebrated his 50th year on the Grand Ole Opry. Monroe recorded two albums of duets in the 1980s; the first featured collaborations with country stars such as Emmylou Harris, Waylon Jennings, and The Oak Ridge Boys, while the second paired him with other prominent bluegrass musicians. As the "father of bluegrass", he was also an inaugural inductee into the International Bluegrass Music Hall of Honor in 1991. By the late 1950s, however, Monroe's commercial fortunes had begun to slip. Carolina ... Bluegrass Breakdown. His well-known song "Blue Moon of Kentucky" has been covered not only by bluegrass but also rock and country artists, most notably Elvis Presley, Paul McCartney, and Patsy Cline. This band recorded a number of bluegrass classics, including "My Little Georgia Rose", "On and On", "Memories of Mother and Dad", and "Uncle Pen", as well as instrumentals such as "Roanoke", "Big Mon", "Stoney Lonesome", "Get Up John", and the mandolin feature "Raw Hide". The 28 songs recorded by this version of the Blue Grass Boys for Columbia Records in 1946 and 1947 soon became classics of the genre, including "Toy Heart", "Blue Grass Breakdown", "Molly and Tenbrooks", "Wicked Path of Sin", "My Rose of Old Kentucky", "Little Cabin Home on the Hill", and Monroe's most famous song "Blue Moon of Kentucky". The genre takes its name from his band, the Blue Grass Boys, who named their group for the bluegrass of Monroe's home state of Kentucky. In 1992, Columbia/Legacy released The Essential Bill Monroe and His Blue Grass Boys (1945-1949), a double CD that contained 24 of Monroe's 40 released recordings made for Columbia Records between 1945 and 1949, along with alternate takes of the other 16. Jimmie Rodgers, Bob Wills, Hank Williams Sr., and Johnny Cash are the only other performers honored in all three. No duplicates are listed. Download our mobile app now. Earnest (9) Plaintive (8) Rustic (8) Amiable/Good-Natured (7) … In 1964, before the Grateful Dead got together, Jerry Garcia caravanned across the country from California to tag along with Monroe.[10]. (Little Cabin Home on the Hill - Bill Monroe and the Bluegrass Boys) Bill Monroe (September 13, 1911 – September 9, 1996) was an American mandolinist who helped create the style of music known as bluegrass. A 1945 session for Columbia Records featured an accordion, soon dropped from the band. William Smith Monroe (født 13. september 1911 i Rosine, Kentucky, USA, død 9. september 1996) var en amerikansk musiker som skapte den musikalske sjangeren kjent som bluegrass.Navnet er hentet fra hans band Blue Grass Boys, døpt etter Monroes hjemstat Kentucky, kjent som The Bluegrass State.Monroes musikalske karriere strakte seg over 60 år som sanger, instrumentalist, komponist og … Bill Monroe (September 13, 1911 – September 9, 1996) developed the style of … Flatt played a solid rhythm guitar style that would help to set the course for bluegrass timing. Season 2 … 1964 ... John Henry On And On Wheel Hoss Draggin' The Bow On My Way Back To The Old Home Bluegrass Breakdown Bluegrass Special Sally Jo Muleskinner Blues Goodbye Old Pal Tennessee Waltz I Saw The Light I'll Meet You In Church Sunday Morning I'm One Of God's Sheep Katy Hill Cousin Jody Promo And Chatter Y'all Come Benny Williams - Fiddle Bruce … The word "bluegrass" first appeared around this time to describe the sound of Monroe and similar artists such as Flatt and Scruggs, the Stanley Brothers, Reno and Smiley, Jim and Jesse, and the Osborne Brothers. You can also see the little country church … His mother and her brother, Pendleton "Pen" Vandiver, were both musically talented, and Monroe and his family grew up playing and singing at home. Bluegrass Breakdown Bill Monroe Buy this song. He and "Bluegrass Boys" bass player, Bessie Lee Mauldin, were returning home from a fox hunt north of Nashville. In 1946, the Blue Grass […] Download our mobile app now. Stream ad-free with Amazon Music Unlimited on mobile, desktop, and tablet. Several gospel-themed numbers are credited to the "Blue Grass Quartet", which featured four-part vocal arrangements accompanied solely by mandolin and guitar – Monroe's usual practice when performing "sacred" songs. On that album, Monroe recorded a number of traditional fiddle tunes he had often heard performed by Vandiver. Genres, Styles, Moods & Themes for Bluegrass Breakdown - Bill Monroe on AllMusic The Great Bill Monroe: Harmony: HL 7290: 1962: My All Time Country Favorites: Decca: DL … This page was last edited on 11 January 2021, at 08:25. In retrospect, this lineup of the Blue Grass Boys has been dubbed the "Original Bluegrass Band", as the music finally included all the elements that characterize bluegrass music, including breakneck tempos, sophisticated vocal harmony arrangements, and impressive instrumental proficiency demonstrated in solos or "breaks" on the mandolin, banjo, and fiddle. In 1967 Monroe himself founded an annual bluegrass festival at Bean Blossom in southern Indiana, a park he had purchased in 1951, which routinely attracted a crowd of thousands; a double LP from the festival featuring Monroe, Jimmy Martin, Lester Flatt, and Jim and Jesse was released in 1973. Beginning with his Blue Grass Boys in the '40s, Monroe defined a hard-edged … He invented the style, invented the name, and for the great majority of the 20th century, embodied the art form. Bill Monroe is the father of bluegrass. Bluegrass Breakdown (Instrumental) 9. ... More by Bill Monroe. On highway 31-W, near White House, their car was struck by a drunken driver. Monroe was born on his family's farm near Rosine, Kentucky, the youngest of eight children of James Buchanan "Buck" and Malissa (Vandiver) Monroe. Because his older brothers Birch and Charlie already played the fiddle and guitar, Bill was resigned to playing the less desirable mandolin. Most importantly, Monroe added banjo player David "'Stringbean" Akeman to the Blue Grass Boys in 1942. Monroe tended to recruit promising young musicians who served an apprenticeship with him before becoming accomplished artists in their own right. The rise of rock-and-roll and the development of the "Nashville sound" in mainstream country music both represented threats to the viability of bluegrass. Monroe's mother died when he was ten, and his father died six years later. ", "Goodbye Old Pal" / "Blue Moon of Kentucky", "Blue Grass Special" / "How Will I Explain About You", "Shine Hallelujah Shine" / "I'm Travelin' On and On", "My Rose of Old Kentucky" / "Sweetheart You Done Me Wrong", "I Hear A Sweet Voice Calling" / "Little Cabin Home On the Hill", "That Home Above" / "Little Community Church", "Summertime Is Past and Gone" / "Wicked Path of Sin", "It's Mighty Dark To Travel" / "When You Are Lonely", "The Old Cross Road" / "Remember the Cross", "Heavy Traffic Ahead" / "Along About Daybreak", "I'm Going Back To Old Kentucky" / "Molly and Tenbrooks", "The Girl In the Blue Velvet Band" / "Bluegrass Stomp", "Can't You Hear Me Calling" / "Travelin' This Lonesome Road", "I'm Blue, I'm Lonesome" / "Boat of Love", "On the Old Kentucky Shore" / "Poison Love", "Lord Protect My Soul" / "River of Death", "Rotation Blues" / "Lonesome Truck Driver's Blues", "I'll Meet You In Church Sunday Morning" / "Get Down On Your Knees and Pray", "Highway of Sorrow" / "Sugar Coated Love", "Christmas Time's A-Coming" / "The First Whippoorwill", "I'm On My Way To the Old Home" / "The First Whippoorwill", "When the Cactus Is In Bloom" / "Sailor's Plea", "Pike County Breakdown" / "A Mighty Pretty Waltz", "Footprints In the Snow" / "In the Pines", "You're Drifting Away" / "Walking In Jerusalem", "Memories of Mother and Dad" / "The Little Girl and the Dreadful Snake", "I Hope You Have Learned" / "Wishing Waltz", "Happy On My Way" / "He Will Set Your Fields On Fire", "Wait A Little Longer, Please Jesus" / "Let the Light Shine Down On Me", "Put My Little Shoes Away" / "Wheel Hoss", "On and On" / "I Believed In You Darling", "You'll Find Her Name Written There" / "Sitting Alone In the Moonlight", "Molly and Tenbrooks" / "I'm Sitting On the Top of the World", "Tomorrow I'll Be Gone" / "Dark As the Night, Blue As the Day", "Lonesome Wind Blues" / "Come Go With Me", "Precious Memories" / "Jesus Hold My Hand", "Blue Ridge Mountain Blues" / "How Will I Explain About You", "There Was Nothing We Could Do" / "Big Sandy River", "Shenandoah Breakdown" / "Mary At the Home Place", "I Live In the Past" / "There's An Old, Old House", "When My Blue Moon Turns To Gold Again" / "Pretty Fair Maiden In the Garden", "Train 45" / "Is the Blue Moon Still Shining", "I Haven't Seen Mary In Years" / "Crossing the Cumberlands", "Bonny" / "Sweet Mary and the MIles In Between", "Walk Softly On My Heart" / "McKinley's March", "My Old Kentucky and You" / "Lonesome Moonlight Waltz", "Down Yonder" / "Swing Low, Sweet Chariot", "My Sweet Blue Eyed Darling" / "Monroe's Blues", This page was last edited on 21 January 2020, at 15:08. Carter Stanley joined the Blue Grass Boys as guitarist for a short time in 1951 during a period when The Stanley Brothers had temporarily disbanded. Song information for Ashland Breakdown - Bill Monroe on AllMusic. Monroe also regularly performed with flat-picking guitar virtuoso Doc Watson. A Fallen Star 27. Because of this, he is often called the "Father of Bluegrass".[1]. 1. He seldom sang lead vocals on his Victor recordings, often preferring to contribute high tenor harmonies as he had in the Monroe Brothers. Birch and Moore soon left the group, and Bill and Charlie carried on as a duo, eventually winning spots performing live on radio stations, first in Indiana and then, sponsored by Texas Crystals, on several radio broadcasts in Shenandoah Iowa, Nebraska, South Carolina and North Carolina from 1934 to 1936. [18], Quotations related to Bill Monroe at Wikiquote, This article is about the American musician. The growing national popularity of Monroe's music during the 1960s was also apparent in the increasingly diverse background of musicians recruited into his band. They scored an immediate hit single with the gospel song "What Would You Give in Exchange For Your Soul?" Style: … Bill Monroe (1911-1996) was five-going-on-six years old when the Homeplace was built in 1917, believed built to celebrate the twenty-fifth wedding anniversary of his parents, James Buchanan, aka J.B., and Malissa Vandiver Monroe. 1 1993 Live Duet Recordings 1963-1980: Off the Record, Vol. Beginning with his Blue Grass Boys in the '40s, Monroe defined a hard-edged style of country that emphasized instrumental virtuosity, close vocal harmonies, and a fast, driving tempo. The 45-minute 16 Gems contains the originally released versions of those songs, so that it serves as a companion to the earlier compilation and … 1 1993 Live Duet Recordings 1963-1980: Off the Record, Vol. Bill Monroe (September 13, 1911 – September 9, 1996) was an American mandolinist who helped create the style of music known as bluegrass.The genre takes its name from his band, the "Blue Grass Boys", named for Monroe's home state of Kentucky. More than 150 musicians played in the Blue Grass Boys over the nearly 60 years of Monroe's performing career. In 1993, he received the Grammy Lifetime Achievement Award, and he was awarded the National Medal of Arts in 1995. Monroe was a recipient of a 1982 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts. Monroe's pre-1946 recordings represent a transitional style between the string-band tradition from which he came and the musical innovation to follow. New Releases. Bluegrass Breakdown (Instrumental) is a popular song by Bill Monroe | Create your own TikTok videos with the Bluegrass Breakdown (Instrumental) song and explore 2 videos made by new and popular creators. ... (a 14-year-old debutant on this album) and the wonderfully insightful Laurie Lewis. Rosine, Kentucky, is where Bill Monroe grew up and where Bill, his siblings, his parents, and his greatest musical influence, Uncle Pen are buried in the Rosine Cemetery. [17], On June 25, 2019, The New York Times Magazine listed Bill Monroe among hundreds of artists whose material was reportedly destroyed in the 2008 Universal Studios fire. While Flatt and Scruggs immediately recognized the potential for a lucrative new audience in cities and on college campuses in the North, Monroe was slower to respond. He ended his touring and playing career in April, following a stroke. Down the Road from the Homeplace of Bill Monroe When you visit the Bluegrass Music Hall of Fame & Museum, you are just 45 minutes from the homeplace of Bill Monroe, the Father of Bluegrass. FAVORITE (1 fan) Bill Monroe. Many college students and other young people were beginning to discover Monroe, associating his style more with traditional folk music than with the country-and-western genre with which it had previously been identified. In 2003, CMT had Bill Monroe ranked No. The last-named was recorded by Elvis Presley in 1954, appearing as the B-side of his first single for Sun Records. Featured New Releases; Editors' Choice ... Close Harmony (9) Bluegrass (8) Traditional Bluegrass (8) Traditional Country (8) Old-Timey (4) Add Styles. [14] That year's fellowships were the first bestowed by the NEA. Even those who question the scope of bluegrass refer to Monroe as a "musical giant" and recognize that "there would be no bluegrass without Bill Monroe."[15]. Flatt and Scruggs joined a highly accomplished group that included fiddler Howdy Forrester and bassist Joe Forrester and would soon include fiddler Chubby Wise and bassist Howard Watts, who often performed under the name "Cedric Rainwater". Bill Monroe was made an honorary Kentucky Colonel in 1966. By this time, Monroe had acquired the 1923 Gibson F5 model "Lloyd Loar" mandolin, which became his trademark instrument for the remainder of his career.[7]. Monroe also kept a hectic touring schedule. View credits, reviews, tracks and shop for the 1997 CD release of Blue Grass Breakdown on Discogs. Accordingly, at the first bluegrass festival organized by Carlton Haney at Roanoke, Virginia in 1965, Bill Monroe was the central figure. Some of Monroe's band members who went on to greater prominence include singer/guitarists Clyde Moody, Lester Flatt, Jack Cook, Mac Wiseman, Jimmy Martin, Carter Stanley, Del McCoury, Peter Rowan, Roland White, Roland Dunn and Doug Green; banjo players Earl Scruggs, Buck Trent, Don Reno, Stringbean, Sonny Osborne, and Bill Keith; and fiddlers Tommy Magness, Chubby Wise, Vassar Clements, Byron Berline, Kenny Baker, Bobby Hicks, Gordon Terry, Randall Franks and Glen Duncan.

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